THE JOURNEY MAN
1977
THE PYRAMID TEXTS
34
THE MAGIC MOUNTAIN
Thomas Mann 1824-1955
HIGHLY QUESTIONABLE
Page 659
" It was learned, funher,. that from her childhood up Ellen had had visions, though at widely separated intervals of time; visions, visible and invisible. What sort of thing were they, now - invisible visions? Well, for example: when she was a girl of sixteen, she had been sitting one day alone in the living-room of her parents' house, sewing at a round table, with her father's dog Freia lying near her on the carpet..The table was covered with a Turkish shawl, of the kind old women wear three-cornered across their shoulders. It covered the table diagonally, with the corners somewhat hanging over. Suddenly Ellen had seen the corner nearest her roll slowly up. Soundlessly, carefully, and evenly it turned itself up, a good distance toward the centre of the table, so that the resultant roll was rather long; and while this was happening, the dog Freia started up wildly, bracing her forefeet, the hair rising on her body. She had stood on her hind legs, then run howliog into the next room and taken refuge under a sofa. For a whole year thereafter she could not be persuaded to set foot in the living-room.
Was it Holger, Friiulein Kleefeld asked, who had rolled up the cloth? Little Brand did not know. And what had she thought about the affair? But since it was absolutely impossible to think anything about it, little Elly had thought nothing at all. Had she told her parents? No. That was odd. Though so sure she had thought nothing about it, Elly had had a distinct impression, in this and similar cases, that she must keep it to herself, make a profound and shamefaced secret of it. Had she taken it much to heart? No, not particularly. What was there about the roiling up of a cloth to take to hean? But other things she had - for example, the following:
A year before, in her parent's house at Odense, she had risen, as was her custom, in the cool of the early morning and left her room on the ground-floor, to go up to the breakfast-room, in order to brew the moming coffee before her parents rose. She had almost reached the landing, where the stairs turned, when she saw standing there close by the steps her elder sister Sophie, who had married and gone to Amenca to live. There she was, her physical presence, in a white gown, with, curiously enough, a garland of moist water-lilies on her head, her hands folded against one shoulder, and nodded to her sister. Ellen, rooted to the spot, half joyful, half terrified, cried out: "Oh, Sophie, is that you? " Sophie had nodded once again, and dissolved. She became gradually transparent, soon she was only visible as an ascending current of warm air, then not visible at all. so that Ellen's
/ Page 660 /
path was clear. Later, it transpired that Sister Sophie had died of heat trouble in New Jersey, at that very hour.
Hans Castorp, when Fraulein Kleefeld related this to him, expressed the view that there was some sort of sense in it: the apparition here, the death there - after all, they did hang together. And he consented to be present at a spiritualistic sitting, a table-tipping, glass-moving game which they had determined to undertake with Ellen Brand, behind Dr. Krokowski's back, and in defiance of his jealous prohibition.
A small and select group assembled for the purpose, their theatre being Fraulein Kleefeld's room. Besides the hostess, Fraulein Brand, and Hans Castorp, there were only Frau Stohr, Fraulein Levi, Herr Albin, the Czech Wenzel, and Dr. Ting-Fu. In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the appartus Hermine had provided, consisting of a mediumsized round table without a cloth, placed in the centre of the room, with a wineglass upside-down upon it, the foot in the air. Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink. Friiulein Kleefeld served tea, which was gracefully received, as Frau Stohr and Fraulein Levi, despite the harmlessness of the undertaking, complained of c..old feet and palpitations. Cheered by the tea, they took their places about the table, in the rosy twilight dispensed by the pink-shaded tablelamp, as Friiulein Kleefeld, in concession to the mood of the gathering, had put out the ceiling light; and each of them laid a finger of his right hand lightly on the foot of the wineglass. This was the prescribed technique. They waited for the glass to move.
That should happen with ease. The top of the table was smooth, the rim of the grass well ground, the pressure of the tremulous fingers, howe!ver lightly laid on, certainly unequal, some of it being exerted vertically, some rather sidewise, and probably in sufficient strength to cause the glass finally to move from its position in the centre of the table. On the periphery of its field it would come in contact with the marked counters; and if the letters on these, when put together, made words that conveyed any sort of sense, the resultant phenomenon would be complex and contaminate, a mixed product of conscious, half -conscious,
and unconscious elements; the actual desire and pressure of some, to whom the wish was father to the act, whether or not they were aware of what they did; and the secret acquiescence of some dark
stratum in the soul of the generality, a common if subterranean effort toward seemingly strange experiences, in which the sup / Page 661 /
pressed self of the individual was more or less involved, most strongly, of course, that of little Elly. This they all knew beforehand - Hans Castorp even blurted out something of the sort, after his fashion, as they sat and waited. The ladies' palpitation and cold extremities, the forced hilarity of the men, arose from their knowledge that they were come together in the night to embark on an unclean traffic with their own natures, a fearsome prying into unfamiliar regions of themselves, and that they were awaiting the appearance of those illuso.ry or half-realities which we call magic. It was almost entirely for form's sake, and came about quite conventionally, that they asked the sp
irits of the departed to speak to them through the movement 0 the glass. Herr Albin offered to be spokesman and deal with such spirits as manifested themselves - he had already had a little experience at seances.
Twenty minutes or more went by. The whisperings had run dry, the first tension relaxed. They supported their right arms at the elbow with their left hands. The Czech Wenzel was almost dropping off. Ellen Brand rested her finger lightly on the glass and directed her pure, childlike gaze away into the rosy light from the table-lamp.
Suddenly the glass tipped, knocked, and ran away from under their hands. They had difficulty in keeping their fingers on it. It pushed over to the very edge of the table, ran along it for a space, then slanted back nearly to the middle; tapped again, and remained quiet.
They were all Startled; favourably, yet with some alarm. Frau Stohr whimpered that she would like to stop, but they told her she should have thought of that before, she must just keep quiet now. Things seemed in train. They stipulated that, in order to answer yes or 00, the glass need not ron to the letters, but might give one or two knocks instead.
" Is there an Intelligence present? " Herr Albin asked, severely
directing his gaze over their heads into vacancy. Ater some hesitation, the glass tipped and said yes.
" What is your name? " Herr Albin asked, almost gruffly, and emphasized his energetic speech by shaking his head.
The glass pushed off. It ran with resolution from one point te another, executing a zigzag by returning each time a little distance toward the centre of the table. It visited H, O, and L, then seemed exhausted; but pulled itself together again and sought out the G, and E, and the R. Just as they thought. It was Holger in person, the spirit Holger, who understood such matters as the / Page 661 /
pinch of salt and that, but knew better than to mix into lessons at school. He was there, floating in the air, above the heads of the little circle. What should they do with him? A certain diffidence possessed them; they took counsel behind their hands, what they were to ask him. Herr Albin decided to question him about his position and occupation in life, and did so, as before, severely, with frowning brows; as though he were a cross-examining counsel.
The glass was silent awhile. Then it staggered over to the P, zigzagged and returned to O. Great suspense. Dr. Ting-Fu giggled and said Holger must be a poet. Frnu Stohr began to laugh hysterically; which the glass appeared to resent, for after indicating the E it stuck and went no further. However, it seemed fairly clear that Dr. Ting-Fu was right.
What the deuce, so Holger was a poet? The glass revived, and superfluously, in apparent pridefulness, rapped yes. A lyric poet, Fraulein Kleefeld asked? She said ly-ric, as Hans Castorp involuntarily noted. Holger was disinclined to specify. He gave no new answer, merely spelled out again, this time quickly and unhesitatingly, the word poet, adding the T he had left off before.
Good, then, a poet. The constraint increased. It was a constraint that in realIty had to do with manifestations on the part of uncharted regions of their own inner, their subjective selves, but which, because of the illusory, half-actual conditions of these manifestations, referred itself to the objective and external. Did Holger feel at home, and content, in his present state? Dreamily, the glass spelled out the word tranquil. Ah, tranquil It was not a word one would have hit upon oneself, but after the glass spelled it out, they found it well chosen and probable. And how long had Holger been in ,this tranquil state? The answer to this was again something one would never have thought of, and dreamily answered; it was "A hastening while." Very good. As a piece of ventriloquistic poesy from the Beyond, Hans Castorp, in particular, found it capital. A " hastening while" was the time-element Holger lived in: and of course he had to answer as it were in parables, having very likely forgotten how to use earthly terminofogy and standards of exact measurement. Fraulein Levi confessed her curiosity to know how he looked, or had looked, more or less. Had he been a handsome youth? Here Albin said she might ask him herself, he found the request beneath his dignity. So she asked if the spirit had fair hair.
"Beautiful, brown, brown curls," the glass responded, deliberately spelling out the word brown twice. There was much merri / Page 663 / ment over this. The ladies said they were in love with him. They kissed their hands at the ceiling. Dr. Ting-Fu, giggling, said Mister Holger must be rather vain.
Ah, what a fury the glass fell into! It ran like mad about the table, quite at random, rocked with rage, fell over and rolled into Frau Stohr's lap, who stretched out her anns and looked down at it pallid with fear. They apologetically conveyed it back to its station, and rebuked the Chinaman. How had he dared to say such a thing - did he see what his indiscretion had led to? Suppose Holger was up and off in his wrath, and refused to say another word!
They addressed themselves to the glass with the extreme of courtesy. WouId Holger not make up some poetry for them? He had said he was a poet, before he went to hover in the hastening while. Ab, how they all yearned to hear him versify! They would love it so!
And 10, the good glass yielded and said yes! Truly there was something placable and good-humoured about the way it tapped. And then Holger the spirit began to poetize, and kept it up, copiously, circumstantially, without pausing for thought, for dear knows how long. It seemed impossible to stop him. And what a surprising poem it was, this ventriloquistic effort, delivered to the admiration of the circle - stuff of magic, and shoreless as the sea of which it largely dealt. Sea-wrack in heaps and bands along the narrow strand of the broad-flung bay; an islanded coast, girt by steep, cllify dunes. Ab, see the dim green distance faint and die into eternity, while beneath broad veils of mist in dull cannine and milky radiance the sununer sun delays to sink! No word can utter how and when the watery mirror turned from silver into untold changeful colour-play, to bright or pale, to spreading, opaline and moonstone gleams - or how, mysteriously as it came, the voiceless magic died away. The sea slumbered. Yet the last traces of the sunset linger above and beyond. Until deep in the night it has not
grown dark: a ghostly twilight reigns in the pine forests on the downs, bleaching the sand until it looks like snow- A simulated winter forest all in silence, save where an owl wings rustling flight. Let us stray here at this hour - so soft the sand beneath our tread, so sublime, so mild the night! Far beneath us the sea respires slowly, and murmurs a long whispering in its dream. Does it crave thee to see it again? Step forth to the sallow, glacierlike cliffs of the dunes, and climb quite up into the softness, that runs coolly into thy shoes. The land falls harsh and bushy steeply down to the pebbly shore,
and still the last {>arting remnants of the day haunt the edge of the
vanishing sky. LIe down here in the sand! How cool as death it is, /
Page 664 / how soft as silk, as flour! It flows in a colourless, thin stream from thy hand and makes a dainty little mound beside thee. Dost thou recognize it, this tiny flowing? It is the soundless, tiny stream through the hour-glass, that solemn, fragile toy that adorns the hermit's hut. An open book, a skull, and in its slender frame the double glass, holding a little sand, taken from eternity, to prolong here, as time, its troubling, solemn, mysterious essence. . . .
Thus Holger the spirit and his lyric improvisation, ranging with weird flights of thought from the familiar sea-shore to the cell of a hermit and the tools of his mystic contemplation. And there waf more; more, human and divine, involved in daring and dreamlike terminology - over which the members of the little circle puzzled endlessly as they spelled it out; scarcely finding time for hurried though raptUrous applause, so swiftly did the glass zigzag back and forth, so swiftly the words roll on and on. There was no distant prospect of a period, even at the end of an hour. The glass improvised inexhaustibly of the pangs of birth and the first kiss of lovers; the crown of sorrows, the fatherly goodness of God; plunged into the mysteries of creation, lost itself in other times and lands, in interstellar space; even mentioned the Chaldeans and the zodiac; and would "most, certainly have gone on all night, if the conspirators had not finally taken their fingers from the glass, and expressing their gratitude to Holger, told him that must suffice them for the time, it had been wonderful beyond their wildest dreams, it was an everlasting pity there had been no one at hand to take it down, for now it must inevitably be forgotten, yes, alas, they had already forgotten most of it, thanks to its quality, which made it hard to retain, as dreams are. Next time they must appoint an amanuensis to take it down, and see how it would look
m black and white, and read connectedly. For the moment, however, and before Holger withdrew to the tranquillity of his hastening while, it would be better, and certainly most amiable of him, if he would consent to answer a few practical questions. They scarcely as yet knew what, but would he at least be in principle inclined to do so, in his great amiability?
The answer was yes. But now they discovered a great perplexity - what should they ask? It was as in the fairy-story, when the fairy or elf grants one question, and there is danger of letting the precious advantage slip through the fingers. There was much in the world, much of the future, that seemed worth knowing, yet it was so difficult to choose. At length, as no one else seemed able
to settle, Hans Castorp, with his finger on the glass, supporting his cheek on his fist, said he would like to know what was to be / Page 665 /
the actual length of his stay up here, instead of the three weeks originally fixed.
Very well, since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated, then pushed off. It spelled out something very queer, which none of them succeeded In fathoming, it made the word, or the syllable Go, and then the word Slanting and then something about Hans Castorp's room. The whole seemed to be a direction to go slanting through Hans Castorp's room, that was to say, through number thirty-four. What was the sense of that? As they sat puzzling and shaking their heads, suddenly there came the heavy thump of a fist on the door."
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THIRTY |
100 |
37 |
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FOUR |
60 |
24 |
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10 |
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160 |
61 |
9 |
1+0 |
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1+6+0 |
6+1 |
- |
1 |
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7 |
7 |
7 |
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TH |
28 |
10 |
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I |
9 |
9 |
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R |
18 |
9 |
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TY |
45 |
9 |
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F |
6 |
6 |
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OU |
36 |
24 |
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R |
18 |
9 |
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10 |
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160 |
61 |
43 |
1+0 |
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1+6+0 |
6+1 |
4+3 |
1 |
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7 |
7 |
7 |
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TH |
28 |
10 |
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IR |
27 |
18 |
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TY |
45 |
9 |
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F |
6 |
6 |
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OUR |
54 |
18 |
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3+4 |
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28 |
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6 |
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54 |
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160 |
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34 |
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9 |
9 |
2 |
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3 |
9 |
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- |
- |
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1 |
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THE MAGIC MOUNTAIN
Thomas Mann 1824-1955
Page 10
Number 34
"ON their right as they entered, between the main door and the inner one, was the porter's lodge. An official of the French type, in the grey livery of the man at the station, was sitting at the telephone, reading the newspaper. He came out and led them through the well-lighted halls, on the left of which lay the reception-rooms. Hans Castorp peered in as he passed, but they were empty. Where, then, were the guests, he asked, and his cousin answered: " In the rest-cure. I had leave tonight to go out and meet you. Otherwise I am always up in my balcony, after supper."
Hans Castorp came near bursting out again. " What! You lie out on your balcony at night, in the damp? " he asked, his voice shaking.
" Yes, that is the rule. From eight to ten. But come and see your
room now, and get a wash."
They entered the lift - it was an electric one, worked by the
Frenchman. As they went up, Hans Castorp wiped. his eyes.
" I'm perfectly worn out with laughing, he said, and breathed through his mouth. cc You've told me such a lot of crazy stuff
that about the psycho-analysis was the last straw. I suppose I am a bit relaxed from the journey. And my feet are cold - are yours? But my face bums so, it is really unpleasant. Do we eat now? I feel hungry. Is the food decent up here?"
They went noiselessly along the coco matting of the narrow corridor, which was lighted by electric lights in white glass shades
set in the ceiling. The walls gleamed with hard white eriamel paint.
They had a glimpse of a nursing sister in a white cap, and eyeglasses on a cord that ran behind her ear. She had the look of a Protestant sister - that is to say, one working without a real vocation and burdened with restlessness and ennui. As they went along the corridor, Hans Castorp saw, beside two of the whiteenamelled, numbered doors, cenain curious, swollen-looking, balloon-shaped vessels with short necks. He did not think, at the moment, to ask what they were.
" Here you are," said Joachim. " I am next you on the right. The other side you have a Russian couple, rather loud and offensive, but it couldn't be helped. Well, how do you like it? "
There were two doors, an outer and an inner, with clotheshooks in the space between. Joachim had turned on the ceiling light, and jn its vibrating brilliance the room looked restful and
cheery, with practical wliite furniture, whte washable walls, clean / Page 11 /
linoleum, and white linen curtains gaily embroidered in modem taste. The door stood open; one saw the lights of the valley and heard distant dance-music. The good Joachim had put a vase of flowers on the chest of drawers - a few bluebells and some yarrow, which he had found himself among the second crop of grass on the slopes.
" Awfully decent of you, "said Hans Castorp. "What a nice
room! I can spend a couple of weeks here with pleasure."
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 10
Chapter 1
"Number 34"
"But come and see your room now"
"What a nice room! I can spend a couple of weeks here with pleasure."
Page 663
"Lie down here in the sand! How cool as death it is, / Page 664 / how soft as silk, as flour! It flows in a colourless, thin stream from thy hand and makes a dainty mound beside thee. Dost thou recognize it, this tiny flowing? It is the soundless, tiny stream through the hour glass, that solemn, fragile toy that adorns the hermit's hut. An open book a skull, and in its slender frame the double glass, holding a little sand, taken from eternity, to prolong here, as time, its troubling, solemn mysterious essence. . ."
"For the moment, how-ever, and before Holger withdrew to the tranquillity of his hasten-ing while, it would be better, and certainly most amiable of him, if he would consent to answer a few practical questions. They scarcely as yet knew what, but would he at least be in principle inclined to do so, in his great amiability?
The answer was yes. But now they discovered a great perplexity - what should they ask? It was as in the fairy story, when the fairy or elf grants one question, and there is danger of letting the precious advantage slip through the fingers. There was much in the world, much of the future, that seemed worth knowing, yet it was difficult to choose. At length, as no one else seemed able to sttle, Hans Castorp, with his finger on the glass supporting his cheek on his fist, said he would like to know what was to be / Page 665 / the actual length of his stay up here, instead of the three weeks originally fixed.
Very well, since they thought of nothing better, let the spirit out of the fullness of his knowledge answer this chance query. The glass hesitated, then pushed off. It spelled out something very queer which none of them succeeded in fathoming, it made the word, or the syllable Go, and then the word Slanting and then something about Hans Castorp's room, that was to say, through number thirty-four.What was the sense of that."
NUMBER THIRTY- FOUR
"WHAT WAS THE SENSE OF THAT"
?
10 |
THIRTY FOUR |
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- |
TH |
28 |
10 |
1 |
- |
I |
9 |
9 |
9 |
- |
R |
18 |
9 |
9 |
- |
TY |
45 |
9 |
9 |
- |
F |
6 |
6 |
6 |
- |
OU |
36 |
9 |
9 |
- |
R |
18 |
18 |
9 |
10 |
THIRTY FOUR |
160 |
70 |
52 |
1+0 |
- |
1+6+0 |
7+0 |
5+2 |
1 |
THIRTY FOUR |
7 |
7 |
7 |
THE MAGIC MOUNTAIN
Thomas Mann 1824-1955
Foreword
THE STORY of Hans Castorp, which we would here set forth, not on his own account, for in him the reader will make acquaintance with a simple-minded though pleasing young man, but for the sake of the story itself, which seems to us highly worth tellingthough it must needs be borne in mind, in Hans Castorp's behalf, that it is his story, and not every story happens to everybody this story, we say, belongs to the long ago; is already, so to speak covered with historic mould, and unquestionably to be presented in the tense best suited to a narrative out of the depth of the past.
That should be no drawback to a story, but ratner the reverse. Since histories must be in the past, then the more past the better, it would seem, for them in their character as histories, and for him, the teller of them, rounding wizard of times gone by. With this story, moreover, it sunds as it does to-day with human beings, not least among them writers of tales: it is far older than its years; its age may not be measured by length of days, nor the weight of time on its head reckoned by the rising or setting of suns. In a word, the degree of its antiquity has noways to do with the passage of time - in which statement the author intentionally touches upon the strange and questionable double nature of that riddling efement.
But we would not wilfully obscure a plain matter. The exaggerated pastness of our narrative is due to its taking place before the epoch when a certain crisis shattered its way through life and consciousness and left a deep chasm behind. It takes place - or, rather, deliberately to avoid the present tense, it tOok place, and had t:lken place - in the long ago, in the old days, the days of the world before the Great War, in the beginning of which so much began that has scarcely yet left off beginning. Yes, it took place before that; yet not so long before. Is not the pastness of the past the profound er, the completer, the more legendary, the more immediately before the present it falls? More than that, our story has, of its own nature, something of the legend about it now and again.
We shall tell it at length; thoroughly, in detail- for when did a narrative seem too long or too short by reason of the actual time
or space it took up? We do not fear being called meticulous, inclinmg as we do to the view that only the exhaustive can be truly interesting.
Not all in a minute, then, will the narrator be finished with the story of our Hans. The seven days of a week will not suffice, no, nor seven months either. Best not too soon make too plain how much mortal time must pass over his head while he sits spun round in his spell. Heaven forbid it should be seven years!"
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 199
"Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32"
THE SUN
Tuesday, December 27, 2005
FRONT PAGE
"IT WASN'T DEATH THAT WON THE DAY. . HUMANITY TRIUMPHED"
4 |
PTAH |
- |
- |
- |
|
P+T |
36 |
9 |
|
|
A+H |
9 |
9 |
|
|
PTAH |
45 |
18 |
18 |
- |
- |
4+5 |
1+8 |
1+8 |
|
PTAH |
9 |
9 |
9 |
FOLLOW
THE
PATH OF PTAH
THE NATURE OF SHAMANISM
SUBSTANCE AND FUNCTIONS OF A RELIGIOUS METAPHOR
Michael Ripinsky Naxon
1993
Page 49
"In most cases the skin membrane is ornamented with designs, among which the number nine appearing sometimes in various aspects has an obvious symbolic significance, possibly as a product of three, three's.
In the Mongol cosmogony the number nine together with the planet Venus and the constellation of the Great Bear, particularly the star Polaris occupies central positions."
VE-NUS 9 9 SUN-EV
THE NATURE OF SHAMANISM
SUBSTANCE AND FUNCTIONS OF A RELIGIOUS METAPHOR
Michael Ripinsky Naxon
1993
Page 166
"According to a Chinese tradition of the first century RC., a raven carried this mushroom to resurrect a man who had been dead for three days. This familiar theme of resurrection from the sepulcher, involving the mystical number 3 (after three days), is to be found among many religious sects of that day."
Page 121
Nevertheless, a real correlation between the number of deities and that of the heavenly levels seems to be lacking, on the whole. Although in northern Eurasia we sometimes encounter nine heavens, with nine gods, and nine branches of the Cosmic Tree (9 = 3 x 3). The number three symbolizes, of course, the three cosmic worlds.
THE NATURE OF SHAMANISM
SUBSTANCE AND FUNCTIONS OF A RELIGIOUS METAPHOR
Michael Ripinsky Naxon
1993
Page 234
"13. G. M. Vasilevich, "Early Concepts about the Universe among the Evenks (Materials)!' (In): Henry N. Michael (ed.), Studies in Siberian Shamanism; p. 68 [see note 5].
The Norse tradition that recounts Odin's offering himself in sacrifice to himself loses, thus, much of its strangeness. It is not much else than a variant of the transculturally encountered myth of transformation. In this particular account, the god Odin, by his own hand, hangs for nine days and nine nights (the recurrent significance of the number 9, or 3 x 3) from the World Tree (Yggdrasil), which represents the junction to the Otherworlds. .- During this transformational process, very much in shamanistic order, he acquires nine magical chants."
Extract revised for OED Online
ninety, a. and n. Draft Revision Jan 2006
5.
ninety-nine
Brit. (also
99
),
http://www.oed.com/bbcwords/ninety.html
THE ELEMENTS OF THE GODDESS
Caitlin Matthews 1989
Page38
"This ennead of aspects is endlessly adaptable for it is made up of nine, the most adjustable and yet essentially unchanging number. However one chooses to add up multiples of nine, for example 54, 72, 108, they always add up to nine"
8 |
WEPWAWET |
|
|
|
|
W |
23 |
5 |
|
|
E |
5 |
5 |
|
|
P |
16 |
7 |
|
|
W |
23 |
5 |
|
|
A |
1 |
1 |
|
|
W |
23 |
5 |
|
|
E |
5 |
5 |
|
|
T |
20 |
2 |
|
8 |
WEPWAWET |
- |
- |
- |
14 |
PHAROAH PYRAMID |
153 |
81 |
9 |
8 |
POSITIVE |
115 |
43 |
7 |
8 |
NEGATIVE |
83 |
38 |
2 |
16 |
First Total |
|
|
|
|
Add to Reduce |
1+9+8 |
8+1 |
- |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
7 |
Essence of Number |
|
|
|
5 |
LIGHT |
56 |
29 |
2 |
4 |
DARK |
34 |
16 |
7 |
9 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
9+0 |
4+5 |
- |
9 |
Essence of Number |
|
|
|
4 |
MIND |
40 |
22 |
4 |
6 |
MATTER |
77 |
23 |
5 |
10 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+1+7 |
4+5 |
- |
1 |
Essence of Number |
|
|
|
4 |
BODY |
46 |
19 |
1 |
5 |
BRAIN |
44 |
26 |
8 |
9 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
9+0 |
4+5 |
- |
9 |
Essence of Number |
|
|
|
13 |
BOOK OF THE DEAD |
111 |
57 |
3 |
12 |
PYRAMID TEXTS |
174 |
57 |
3 |
6 |
ANUBIS |
66 |
21 |
3 |
13 |
BOOK OF THE DEAD |
111 |
57 |
3 |
12 |
PYRAMID TEXTS |
174 |
57 |
3 |
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
3 |
MIN |
36 |
18 |
9 |
4 |
MINE |
41 |
23 |
5 |
4 |
MIND |
40 |
22 |
4 |
6 |
VERMIN |
|
|
|
|
V+E+R |
45 |
18 |
|
|
M+I+N |
36 |
18 |
|
6 |
VERMIN |
81 |
36 |
18 |
- |
- |
8+1 |
3+6 |
1+8 |
6 |
VERMIN |
9 |
9 |
9 |
- |
NURSE CANAL |
- |
- |
- |
5 |
NURSE |
77 |
23 |
5 |
5 |
CANAL |
31 |
13 |
4 |
10 |
|
108 |
36 |
9 |
1+0 |
- |
1+0+8 |
3+6 |
- |
1 |
|
9 |
9 |
9 |
3 |
MIN |
36 |
18 |
9 |
4 |
MINE |
41 |
23 |
5 |
4 |
MIND |
40 |
22 |
4 |
11 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+1+7 |
6+3 |
1+8 |
2 |
Essence of Number |
|
|
|
4 |
ISIS |
56 |
20 |
2 |
8 |
NEPHTHYS |
115 |
43 |
7 |
12 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+7+1 |
6+3 |
- |
3 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
6 |
- |
9 |
8 |
6 |
5 |
|
|
|
|
|
|
|
|
|
|
|
8 |
15 |
- |
9 |
26 |
15 |
14 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
9 |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
18 |
- |
- |
- |
- |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
8 |
15 |
18 |
9 |
26 |
15 |
14 |
|
|
|
|
|
|
|
6 |
|
|
|
8 |
6 |
9 |
9 |
8 |
6 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
- |
|
5+1 |
|
2+4 |
|
|
|
|
|
|
|
|
|
|
1 |
|
|
7 |
|
6 |
|
6 |
7 |
HORIZON |
105 |
51 |
6 |
5 |
HORUS |
81 |
27 |
9 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
ORISON |
90 |
36 |
9 |
2 |
OR |
33 |
15 |
6 |
5 |
NOISE |
62 |
26 |
8 |
7 |
First Total |
|
|
|
|
Add to Reduce |
9+5 |
4+1 |
1+4 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
- |
- |
7 |
Essence of Number |
|
|
|
5 |
HORUS |
81 |
27 |
9 |
5 |
HOURS |
81 |
27 |
9 |
4 |
KITH |
48 |
21 |
3 |
3 |
KIN |
34 |
16 |
7 |
7 |
First Total |
|
|
|
|
Add to Reduce |
8+2 |
3+7 |
1+0 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+0 |
1+0 |
- |
7 |
Essence of Number |
|
|
|
4 |
KING |
- |
- |
- |
1 |
G |
7 |
7 |
7 |
3 |
KIN |
34 |
16 |
7 |
4 |
KING |
41 |
23 |
5 |
- |
ZH ZH BIRD |
- |
- |
- |
4 |
ZH ZH |
68 |
32 |
5 |
4 |
BIRD |
33 |
24 |
6 |
8 |
|
101 |
56 |
11 |
- |
- |
1+0+1 |
5+6 |
1+1 |
8 |
|
2 |
11 |
2 |
- |
- |
- |
1+1 |
1+1 |
8 |
|
2 |
2 |
2 |
5 |
BENNU |
56 |
20 |
2 |
4 |
BIRD |
33 |
24 |
6 |
9 |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
BIRD |
33 |
24 |
6 |
JOSEPH AND HIS BROTHERS
Thomas Mann 1875-1955
Page 935
"Come nearer, my friend," he said, as the bee studded curtain closed behind them, "pray come close to me, dear Khabiru from the Retenu, fear not, nor startle in your step, come quite close to me! This is the mother of god, Tiy, who lives a million years. And I am Pharaoh. But think no more of that, lest it make you fearful. Pharaoh is God and Man, but sets as much store by the second as the first, yes he rejoices, sometimes his rejoicing amounts to defiance and scorn that he is a man like all men, seen from one side; he rejoices to snap his fingers at those sour faces who would have him bear himself uniformly as God
"This is the mother of god, Tiy,"
SIMULATIONS OF GOD
THE SCIENCE OF BELIEF
John Lilly 1975
Page xi bottom line (30th)
"I am only an extraterrestrial who has come to the / Page xii / planet Earth to inhabit a human body, Everytime I leave this body and go back to my own civilization, I am expanded beyond all human imaginings, When I must return I am squeezed down into the limited vehicle."
- |
THE UNIQUE ONE |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
6 |
UNIQUE |
87 |
33 |
6 |
3 |
ONE |
34 |
16 |
7 |
12 |
|
154 |
64 |
19 |
1+2 |
- |
1+5+4 |
6+4 |
1+9 |
3 |
|
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
3 |
|
1 |
1 |
1 |
- |
I HAVE REAPED EMMER |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
36 |
18 |
9 |
6 |
REAPED |
49 |
31 |
4 |
5 |
EMMER |
54 |
27 |
9 |
16 |
|
- |
- |
- |
5 |
EMMER |
|
|
|
|
E+M |
18 |
9 |
|
|
M+E |
18 |
9 |
|
|
R |
18 |
9 |
|
5 |
EMMER |
- |
- |
- |
6 |
MAAT IS |
63 |
18 |
9 |
5 |
MAATS |
54 |
18 |
9 |
4 |
MAAT |
35 |
8 |
8 |
5 |
MAATI |
44 |
17 |
8 |
5 |
MAYET |
64 |
19 |
1 |
4 |
ATUM |
55 |
10 |
1 |
3 |
NUT |
55 |
10 |
1 |
4 |
ISIS |
56 |
20 |
2 |
8 |
NEPHTHYS |
115 |
43 |
7 |
6 |
HATHOR |
70 |
34 |
7 |
4 |
ATUM |
55 |
10 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
NEB |
21 |
12 |
3 |
2 |
ER |
23 |
14 |
5 |
4 |
DJER |
37 |
19 |
1 |
9 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
8+1 |
4+5 |
- |
9 |
Essence of Number |
|
|
|
5 |
POWER |
|
|
|
|
P+O+W |
54 |
18 |
|
|
E |
5 |
5 |
|
|
R |
18 |
9 |
|
5 |
POWER |
77 |
32 |
23 |
1+0 |
- |
7+7 |
3+2 |
2+3 |
5 |
POWER |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
5 |
POWER |
5 |
5 |
5 |
9 |
FORGIVING |
107 |
62 |
8 |
11 |
FORGIVENESS |
139 |
58 |
4 |
7 |
FORGIVE |
82 |
46 |
1 |
8 |
FORGIVES |
101 |
47 |
2 |
3 |
THE |
33 |
15 |
6 |
6 |
SOURCE |
81 |
27 |
9 |
2 |
OF |
21 |
12 |
3 |
7 |
REALITY |
90 |
36 |
9 |
18 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
2+2+5 |
9+0 |
2+7 |
9 |
Essence of Number |
|
|
|
2 |
DE |
9 |
9 |
9 |
5 |
ISIDE |
46 |
28 |
1 |
7 |
OSIRIDE |
79 |
43 |
7 |
5 |
LIBER |
46 |
28 |
1 |
19 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+8+0 |
1+0+8 |
1+8 |
1 |
Essence of Number |
|
|
|
5 |
BYBLOS |
|
|
|
|
B |
2 |
2 |
|
|
Y+B |
27 |
9 |
|
|
L+O |
27 |
9 |
|
|
S |
19 |
10 |
|
5 |
BYBLOS |
75 |
30 |
21 |
1+0 |
- |
7+5 |
3+0 |
2+1 |
5 |
BYBLOS |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
5 |
BYBLOS |
3 |
3 |
3 |
3 |
DIVIDE |
53 |
35 |
8 |
2 |
ET |
25 |
7 |
7 |
6 |
IMPERA |
62 |
35 |
8 |
14 |
First Total |
|
|
|
|
Add to Reduce |
1+4+0 |
7+7 |
2+3 |
5 |
Second Total |
|
|
|
|
Reduce to Deduce |
- |
1+4 |
- |
5 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
8 |
MAGNETIC |
72 |
36 |
9 |
5 |
FIELD |
36 |
27 |
9 |
2 |
OF |
21 |
12 |
3 |
7 |
REALITY |
90 |
36 |
9 |
6 |
CINEMA |
45 |
27 |
9 |
7 |
IMAGERS |
72 |
36 |
9 |
38 |
First Total |
|
|
|
|
Add to Reduce |
3+6+9 |
1+8+9 |
5+4 |
11 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
2 |
Essence of Number |
|
|
|
1 |
I |
9 |
9 |
9 |
5 |
DANCE |
27 |
18 |
9 |
3 |
THE |
33 |
15 |
6 |
5 |
DANCE |
27 |
18 |
9 |
3 |
AND |
19 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
5 |
DANCE |
27 |
18 |
9 |
4 |
GOES |
46 |
19 |
1 |
2 |
ON |
29 |
20 |
2 |
31 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
2+5+0 |
1+4+2 |
5+2 |
4 |
Essence of Number |
|
|
|
6 |
ISRAEL |
|
|
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
|
R |
18 |
9 |
|
|
A+E+L |
18 |
9 |
|
6 |
ISRAEL |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
- |
18 |
1 |
5 |
12 |
|
|
|
|
|
|
|
9 |
|
|
- |
|
- |
- |
9 |
1 |
5 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
9 |
1 |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
9 |
19 |
- |
- |
- |
- |
|
|
|
|
|
|
|
1 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
9 |
19 |
18 |
1 |
5 |
12 |
|
|
|
|
|
|
|
1 |
|
|
- |
|
9 |
1 |
9 |
1 |
5 |
3 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
- |
|
2+8 |
|
1+9 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
1+0 |
|
1+0 |
6 |
|
|
|
|
|
|
|
|
|
9 |
|
|
6 |
|
1 |
|
1 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
- |
6 |
8 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
|
- |
15 |
8 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
5 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
4 |
- |
- |
1 |
4 |
4 |
5 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
|
13 |
- |
- |
1 |
13 |
13 |
5 |
4 |
|
|
|
|
|
|
|
4 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
13 |
15 |
8 |
1 |
13 |
13 |
5 |
4 |
|
|
|
|
|
|
|
9 |
|
|
- |
|
4 |
6 |
8 |
1 |
4 |
4 |
5 |
4 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+1 |
|
|
|
|
|
|
|
|
|
|
|
2+4 |
|
|
- |
|
3+6 |
|
2+7 |
3 |
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
8 |
|
9 |
|
9 |
7 |
JUDAISM |
|
|
|
|
J+U+D+A+S |
55 |
10 |
|
|
I |
9 |
9 |
|
|
M |
13 |
4 |
|
7 |
JUDAISM |
77 |
23 |
14 |
1+0 |
- |
7+7 |
2+3 |
1+4 |
7 |
JUDAISM |
14 |
5 |
5 |
- |
- |
1+4 |
- |
- |
7 |
JUDAISM |
5 |
5 |
5 |
- |
I HAVE COME |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
4 |
HAVE |
45 |
9 |
9 |
4 |
COME |
36 |
18 |
9 |
9 |
|
90 |
36 |
27 |
- |
- |
9+0 |
3+6 |
2+7 |
9 |
|
9 |
9 |
9 |
- |
I'VE COME |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
2 |
VE |
27 |
9 |
9 |
4 |
COME |
36 |
18 |
9 |
7 |
|
72 |
36 |
27 |
- |
- |
7+2 |
3+6 |
2+7 |
7 |
|
9 |
9 |
9 |
8 |
JEREMIAH |
|
|
|
|
J+E |
15 |
6 |
|
|
R |
18 |
9 |
|
|
E+M |
18 |
9 |
|
|
I |
9 |
9 |
|
|
A+H |
9 |
9 |
|
8 |
JEREMIAH |
- |
- |
- |
8 |
JEREMIAH |
|
|
|
|
J+E |
15 |
6 |
|
|
R |
18 |
9 |
|
|
E+M |
18 |
9 |
|
|
I |
9 |
9 |
|
|
A+H |
9 |
9 |
|
8 |
JEREMIAH |
69 |
42 |
42 |
1+0 |
- |
6+9 |
4+2 |
4+2 |
8 |
JEREMIAH |
15 |
6 |
6 |
- |
- |
1+5 |
- |
- |
8 |
JEREMIAH |
6 |
6 |
6 |
- |
THE UNKNOWN GOD |
- |
- |
- |
3 |
|
33 |
15 |
|
7 |
|
112 |
31 |
|
3 |
|
26 |
17 |
|
|
THE UNKNOWN GOD |
|
|
|
|
- |
1+7+1 |
6+3 |
|
|
THE UNKNOWN GOD |
|
|
|
3 |
THE |
33 |
15 |
6 |
10 |
PENTATEUCH |
113 |
41 |
5 |
13 |
First Total |
|
|
|
|
Add to Reduce |
1+4+6 |
5+6 |
1+1 |
4 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+1 |
1+1 |
- |
4 |
Essence of Number |
|
|
|
A |
= |
1 |
7 |
|
44 |
26 |
|
M |
= |
4 |
5 |
|
71 |
17 |
|
A |
= |
1 |
5 |
|
49 |
22 |
|
Y |
= |
7 |
6 |
|
70 |
34 |
|
7 |
SERPENT |
97 |
34 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
SNAKE |
|
|
|
|
S+N+A |
34 |
16 |
|
|
K+E |
16 |
7 |
|
5 |
SNAKE |
50 |
23 |
14 |
- |
- |
5+0 |
2+3 |
1+4 |
5 |
SNAKE |
5 |
5 |
5 |
|
YAHWEH |
|
|
|
|
Y |
25 |
7 |
|
|
A+H |
9 |
9 |
|
|
W+E+H |
36 |
18 |
|
6 |
YAHWEH |
70 |
34 |
25 |
- |
- |
7+0 |
3+4 |
2+5 |
6 |
YAHWEH |
7 |
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
EXODUS 34 |
|
- |
- |
6 |
EXODUS |
88 |
34 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
AKHENATEN |
|
|
|
|
A+K |
12 |
3 |
|
|
H+E+N |
27 |
18 |
|
|
A+T+E+N |
40 |
13 |
|
9 |
ANKHEATON |
79 |
34 |
16 |
- |
- |
7+9 |
3+4 |
1+6 |
9 |
AKHENATEN |
16 |
7 |
7 |
- |
- |
1+6 |
- |
- |
9 |
AKHENATEN |
7 |
7 |
7 |
S |
= |
1 |
7 |
|
97 |
34 |
|
P |
= |
7 |
7 |
|
97 |
34 |
|
G |
= |
7 |
6 |
|
57 |
30 |
|
C |
= |
3 |
4 |
|
22 |
13 |
|
- |
- |
- |
10 |
|
79 |
43 |
|
|
Y |
A |
H |
W |
E |
H |
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
8 |
- |
- |
8 |
|
|
|
|
= |
|
- |
|
|
|
|
Y |
A |
H |
W |
E |
H |
|
|
|
|
|
|
|
- |
- |
|
|
7 |
1 |
- |
5 |
5 |
- |
|
|
|
|
= |
|
|
|
|
|
|
25 |
1 |
- |
23 |
5 |
- |
|
|
|
|
= |
|
|
|
|
|
|
Y |
A |
H |
W |
E |
H |
|
|
|
|
|
|
|
- |
- |
|
|
25 |
1 |
8 |
23 |
5 |
8 |
|
|
|
|
= |
|
|
|
|
|
|
7 |
1 |
8 |
5 |
5 |
8 |
|
|
|
|
= |
|
- |
|
|
|
|
Y |
A |
H |
W |
E |
H |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
1 |
= |
|
- |
- |
- |
- |
5 |
5 |
- |
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
7 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
7 |
= |
|
- |
- |
- |
8 |
- |
- |
8 |
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
Y |
A |
H |
W |
E |
H |
|
|
21 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
2+1 |
- |
- |
- |
- |
3+4 |
- |
1+6 |
|
Y |
A |
H |
W |
E |
H |
|
|
3 |
|
|
|
|
|
|
|
A |
= |
1 |
9 |
|
79 |
34 |
|
Y |
= |
7 |
6 |
|
70 |
34 |
|
N |
= |
5 |
9 |
|
106 |
52 |
|
Y |
= |
7 |
6 |
|
70 |
34 |
|
E |
= |
5 |
6 |
|
88 |
34 |
|
9 |
|
79 |
34 |
|
9 |
|
106 |
52 |
|
11 |
|
144 |
36 |
|
6 |
YAHWEH |
70 |
34 |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
JEHOVAH |
|
|
|
|
J+E |
15 |
6 |
|
|
H+O+V |
45 |
18 |
|
|
A+H |
9 |
9 |
|
7 |
JEHOVAH |
69 |
33 |
24 |
- |
- |
6+9 |
3+3 |
2+4 |
7 |
JEHOVAH |
15 |
6 |
6 |
- |
- |
1+5 |
- |
- |
7 |
JEHOVAH |
6 |
6 |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
YAHWEH |
70 |
34 |
7 |
7 |
JEHOVAH |
69 |
33 |
6 |
|
HEBREW |
|
|
|
|
H+E+B |
15 |
15 |
|
|
R |
18 |
9 |
|
|
E+W |
28 |
10 |
|
6 |
HEBREW |
61 |
34 |
16 |
- |
- |
6+1 |
3+4 |
1+6 |
6 |
HEBREW |
7 |
7 |
7 |
|
HEZEKIAH |
|
|
|
|
H+E+Z+E+K |
55 |
28 |
|
|
I |
9 |
9 |
|
|
A+H |
9 |
9 |
|
8 |
HEZEKIAH |
73 |
46 |
19 |
- |
- |
7+3 |
4+6 |
1+9 |
8 |
HEZEKIAH |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
HEZEKIAH |
1 |
1 |
1 |
- |
RED SEA |
- |
- |
- |
3 |
|
27 |
18 |
|
3 |
|
25 |
16 |
|
|
RED SEA |
|
|
|
|
- |
5+2 |
3+4 |
|
|
RED SEA |
|
|
|
|
MESSIAH |
|
|
|
|
M+E |
18 |
9 |
|
|
S+S |
38 |
20 |
|
|
I |
9 |
9 |
|
|
A+H |
9 |
9 |
|
7 |
MESSIAH |
74 |
47 |
29 |
- |
- |
7+4 |
4+7 |
2+9 |
7 |
MESSIAH |
11 |
11 |
11 |
- |
- |
1+1 |
1+1 |
1+1 |
7 |
MESSIAH |
2 |
2 |
2 |
|
ZIPPORAH |
|
|
|
|
Z+I+P+P+O |
72 |
37 |
|
|
R |
18 |
9 |
|
|
A+H |
9 |
9 |
|
8 |
ZIPPORAH |
109 |
55 |
19 |
- |
- |
1+0+9 |
5+5 |
1+9 |
8 |
ZIPPORAH |
10 |
10 |
10 |
- |
- |
1+0 |
1+0 |
1+0 |
8 |
ZIPPORAH |
1 |
1 |
1 |
5 |
MOSES |
71 |
17 |
8 |
8 |
ZIPPORAH |
109 |
55 |
1 |
13 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+8+0 |
7+2 |
- |
4 |
Essence of Number |
|
|
|
6 |
ELIJAH |
45 |
27 |
9 |
- |
9th CENTURY |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
1 |
A |
1 |
1 |
1 |
7 |
CITIZEN |
86 |
41 |
5 |
2 |
OF |
21 |
12 |
3 |
6 |
PLANET |
68 |
23 |
5 |
5 |
EARTH |
52 |
25 |
7 |
24 |
Add to Reduce |
|
|
|
|
Reduce to Deduce |
2+5+1 |
1+1+6 |
3+5 |
6 |
Essence of Number |
|
|
|
- |
REDEMPTIVE |
- |
- |
- |
|
R |
18 |
9 |
|
|
E+D |
9 |
9 |
|
2 |
E+M |
18 |
9 |
|
|
P+T |
36 |
9 |
|
|
I |
9 |
9 |
|
|
V+E |
27 |
9 |
|
10 |
REDEMPTIVE |
117 |
54 |
54 |
1+0 |
|
1+1+7 |
5+4 |
5+4 |
1 |
REDEMPTIVE |
9 |
9 |
9 |
- |
THE DOG STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
DOG |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE DOG STAR |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE DOG STAR |
|
|
|
- |
THE GOD STAR |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
3 |
GOD |
26 |
17 |
8 |
4 |
STAR |
58 |
13 |
4 |
10 |
THE GOD STAR |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE GOD STAR |
|
|
|
- |
THE STAR GOD |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
4 |
STAR |
58 |
13 |
4 |
3 |
GOD |
26 |
17 |
8 |
10 |
THE STAR GOD |
|
|
|
1+0 |
- |
1+1+7 |
4+5 |
1+8 |
1 |
THE STAR GOD |
|
|
|
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
4 |
Z |
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
- |
- |
1 |
|
|
|
|
|
|
|
|
- |
26 |
- |
- |
19 |
|
|
|
|
|
|
|
9 |
4 |
Z |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
3 |
- |
|
|
|
|
|
|
|
|
- |
- |
5 |
21 |
- |
|
|
|
|
|
|
|
8 |
4 |
Z |
|
|
|
|
|
|
|
|
|
|
- |
- |
26 |
5 |
21 |
19 |
|
|
|
|
|
|
|
8 |
- |
8 |
5 |
3 |
1 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
1 |
- |
- |
- |
3 |
- |
|
|
|
occurs |
x |
|
= |
3 |
- |
- |
5 |
- |
- |
|
|
|
occurs |
x |
|
= |
5 |
- |
8 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
1+7 |
|
|
- |
|
1+7 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|